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Geeks and the Holy Grail (Camelot Code #2), by Mari Mancusi, for Timeslip Tuesday

The first book in the Camelot Code series, The Once and Future Geek , mixed time travel between the medieval world of King Arthur and our own, and it is a very entertaining book.  The second book in the series, Geeks and Holy Grail (Hyperion, October 2019), is also entertaining (though not quite as funny; King Arthur as a modern day high school student is hard to beat....). When Morgana, sworn enemy of King Arthur, attacks the druids of Avalon, Nimue, the youngest of them, takes the Holy Grail and runs with it.  King Arthur is dying, and only the Grail can save him.  Desperate to keep it from falling into Morgana's hands, she stumbles into Merlin's Crystal Cave.  But instead of Merlin there to help her (he's on vacation in Los Vegas, in our time), there's only his very inexperienced apprentice, Emrys.  His attempt to hide the grail works, in a sense--as a small, flatulent dragon, it sure doesn't look much like a grail.  But it isn't much use to Arthur as a...

The Secret

Reader's Pet Peeves

Teens can be picky readers. We're no longer the passive middle schoolers who accept bad grammar and repetitiveness. When we don't like something, never doubt that we can make a big deal out of it. We've had many a conversation about the little things that can drive us up the wall, so it is only natural that we would have a group meeting solely dedicated to complaining about things we don't like. These literary offenses range from tiny niggling annoyances to poor writing to the point of illegibility. The most common problem is reading about the same things over and over again; reading the same vampire love triangle romances and the same apocalypse dystopia. But no matter the problem, if they are avoided it would probably lead teens (us particularly) to enjoy more books.

It's not just the writing that will banish a book to the dusty rejection shelf. Everyone does this even if there's a proverb against it: we judge books by their cover. It can make the difference between hordes of people grabbing up a book and nobody grabbing it. A bad cover is not only uninteresting; it can repel readers like we avoid a filthy bathroom stall. Publishers usually have complete control over what the cover looks like, but sometimes they really need to get some outside opinions.

Take for example these next two photos of books. On the top are galleys that we agreed have interesting (if not superb) covers. On the bottom are galleys with covers that are clearly sub-par.




On the top we see clean text design along with stylish graphic design, appealing art, and appropriate colors. There are people in almost all of them, but they are all interesting due their posed actions or appearances. The boy on the cover of Wringer has a bloody tissue stuffed in his nose, a gash on his eyebrow, and his clothes are rumpled. This cover tells the story that he was beaten up, enticing us to find out more. Golden has the least interesting cover subject with simply an attractive girl. She doesn't tell anything about the story. However, a beautiful graphic was superimposed which heals all wounds.

When a cover is bad it's pretty obvious. We voted unanimously on nearly every bad cover. On the bottom there's an effort for original text design, but on Over You, The Tribe, and The Neptune Project the font is cheesy or cartoony. It just looks bad. Similarly, the art and graphic designs on these galleys are unoriginal, cartoony, or simply bad. The cover of The Neptune Project looks interesting at first glance, but on closer inspection the graphic design looks fake and cheap. I was interested in The Tribe when I read the back, but the front tells me that it's for middle school. The cover of Promise Me Something on the lower right has nothing going for it. Too often publishers think that picture of an attractive person with some scenery is all they need for a cover. It tells us nothing about the book, it's not interesting, and we're all secretly assuming that it's chic lit (which is, if you noticed, on that list of things we don't want to read).

By themselves bad covers don't seem harmful, but they wither in comparison to good ones. To drive this matter home, here is a great comparison of similar covers. One is a terrible cover while the other is excellent.
Both have a large white background, large title text, bold colors (particularly magenta), seem to be about a girl, and have sparse subject matter to look at.
We all hated the crayon-like font which subtracts from the cover of Over You. The only other thing to look at there is the fashionable girl who is nothing more than, well, a fashionable girl. Their strategy to make the title the same color as her hair didn't do much.
The cover of Spoiled is very similar, but the makeup arranged into the text is tasteful, artistic, interesting, and unique. It is basically everything the cover of Over You failed at.

Publishers, here's a T-chart to help you put more great covers out there and what to avoid.



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This week's round-up of middle grade science fiction and fantasy from around the blogs (10/13/19)

Here's what I found in my blog reading this week; please let me know if I missed your post! The Reviews The Bootlace Magician (Cicus Mirandus #2), by Cassie Beasley, at Randomly Reading The Boy Who Was Fire, by Marcus Kahle McCann, at The Children's Book Review City of Bones, by Victoria Schwab, at Pages Unbound The Dark Lord Clementine, by Sarah Jean Howitz, at Sally's Bookshelf Dead Voices, by Katherine Arden, at Charlotte's Library Dragon Pearl, by Yoon Ha Lee, at Imaginary Friends The Dragon Warrior, by Katie Zhao, at Log Cabin Library , Forever and Everly , and Lost In Storyland Ember: the Secret Book, by Jamie Smart, at Mr Ripleys Enchanted Books The Hippo at the End of the Hall, by Helen Cooper, at Charlotte's Library Homerooms and Hall Passes, by Tom O'Donnell, at Ms. Yingling Reads The International Yeti Collective, by Paul Mason, at Book Craic The Little Broomstick, by Mary Stewart, at Fantasy Literature Mightier than the Sword, by Drew Callander and ...

Stolen Time, by Danielle Rollins, for Timeslip Tuesday

If you are in the mood for a real page turner of a YA time travel story (it only took me two and a bit hours to read 400 pages), with lots of twists, lots of great characters, and lots of action, look no further than Stolen Time, by Danielle Rollins (Febraury 2019, HarperTeen). It begins in Seattle, in 1913, when Dorothy runs away from the marriage her con-artist mother has inveigled her into.  Her flight leads her to a time traveler, from New Seattle, 2077.  Ash is on a mission to find his mentor, the professor who figured out time travel technology, and who disappeared. leaving his team of young people gathered from different times without guidance and purpose.  Dorothy stows away in his ship, and Ash inadvertently takes her back to his own time, to a city devastated by earthquakes and inundated by tidal waves. It's a city living in fear of a vicious gang, whose co-leader, Roman, was once one of the professor's brightest students.  But Roman wanted time travel to ...

The Clockwork Scarab

By: Coleen Gleason Two girls are dead and one has gone missing in 1889 London.  The only clues are an Egyptian Scarabs that were found at both the murder scenes. Well, not exactly murder, both deaths were made out to look like suicides.  Mina Holmes, as in Sherlock Holmes's niece, and Evaline Stoker, sister of Bram Stoker (author of Dracula), are called to a secret meeting at the British Museum by Irene Adler.  Stoker and Holmes are called to investigate these series of murders by the Princess of Wales.  Along the way Holmes makes friends with Dylan Eckhert.  Dylan was at the museum looking at the statue of Sekhmet,  and Egyptian  Goddess, when he touched a scarab on the statue.  Next thing he knew, he woke up in 1889 London.  His problems come from the fact that he's from 2016 London.  Miss Holmes also has a rivalry with Lieutenant Grayling, of Scotland Yard.  Miss Stoker runs into a mysterious pick-pocket, Pix (meaning Pixie), a c...

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